The Crucible Alsager Community Theatre

ARTHUR Miller's The Crucible is one of the most demanding, challenging and, at the same time, rewarding pieces of 20th century drama. Although ostensibly about the Salem witchcraft trials of 1692, the play reflects a more recent "heresy", namely communism.

At the heart of the play lie the suspicions and recriminations of the anti-communist "witch-hunts" in 1950s America. Or, indeed, in a wider sense, any witch-hunt against individuals or groups deemed at odds with mainstream society.

All credit, therefore, to Alsager Community Theatre for tackling a play that makes so many historical, social, emotional and other demands. Many amateur players would shy away from such a play, but not ACT.

The group has a well-deserved reputation for high-quality productions, and The Crucible maintains the group's high standards. Director Mark Jeffries extracts the best from a large cast comprising both older and newer talent. Tension, apparent from the opening, is sustained throughout.

Much of this, apart from the calibre of the play itself, is down to individual and ensemble performance that is thoughtful, studied and controlled.

Even with a cast well into double figures there is no "weakest link".

Particular mention must be made of Frank McGregor, as John Proctor, who attempts to hold out against the collective madness that overcomes Salem. McGregor is a treat to watch as this flawed but essentially honest character comes to terms with his conscience.

ACT stalwart Diana Lane plays Proctor's wrongly accused wife with quiet and fitting dignity, while newcomer Marie Coley deftly exploits the difficult and complex role of servant-girl Mary Warren. The second-act scene between the Proctors and Mary is a highlight in a production rich in memorable moments.

Sometimes amateur drama surpasses what is available on the professional stage. This is one such production. It demonstrates what can be achieved with enthusiasm and carefully directed talent. It should not be missed.

The Crucible runs until Saturday, March 26. Performances start at 7.45 and tickets are available from Alsager Library or by phoning 01260 276165.

Paul Gubbins